Today I have the honor to bring to you some lesser known facts about one of HOK’s most world renowned architects. A senior vice president in HOK’s Tampa office, Yann Weymouth is capable of supernova design – he worked with I.M. Pei on the famous Louvre glass pyramid in Paris, among other high-profile museum projects, including the entirely new, waterfront building for the Salvador Dali Museum in St. Petersburg, Florida. Chances are, you have experienced one of the places that he designed and now, once you read this interview, you will be one step closer in your six degrees of separation from one of the generation’s finest designers.
You have led an extraordinary life as an architect with projects at the Louvre and National Gallery under your belt. What has been the most meaningful project you have completed and why?
That is like asking me which one of my 3 children I love most. My projects are like my children and I love each for different reasons. While no two of the projects on which I have led the design look the same, each contributes its own innovations, and its own character. I avoid repeating past formulas or symbols or personal expressions of vanity. I hope each completed project is a compelling design of lasting architecture that works well, fulfills its mission, exceeds our client’s expectations and gives back by delighting a wider audience.
Having traveled all over the world, what city inspires you the most?
I have been fortunate to live and work in some of the world’s greatest and most interesting cities: Boston, Washington DC, New York, Miami, LA, Paris, London, Hong Kong, Istanbul and others. I try to make the most of my time wherever I find myself and draw inspiration from hidden gems. Each of these great places is centered on a great river or ocean. I am a Navy brat. I grew up moving around constantly, but always near water. I was taught sailing very young. This close contact with the wind, sea and sky made me very aware of physics, light, energy flows and the actions and reactions of certain materials to these key elements. To this day these influence my design.
Who is the most interesting person you have had the opportunity to meet?
Buckminster Fuller. I met him in Greece when I was a student. I was chosen to be the scribe for a seminar of fascinating luminaries like Arnold Toynbee, Siegfried Gideon, and Margaret Mead. This was the 1960’s, but Bucky was already talking about biodiversity. The thing that was inspiring about him was his infectious enthusiasm and his conviction that any problem could be solved, and that design was more about discovery than about invention.
What are your hobbies?
I admit that I am a workaholic, so I do not make time for sailing or playing tennis, both of which I love. I am lucky that my work brings me in close contact with art, museums and galleries. Any free moments, my wife usually has me building something at home, but I am a scientist at heart and love to devour scientific publications and journals to understand the latest research.
What is your best kept secret?
That my mantra comes from Philip Johnson. He often quoted his doctor, saying, “He told me if I ever stopped working, I’ll die, so I’ll never stop working.” Philip was still working when he died at age 99. My great mentor, I.M. Pei, who just turned 93, winning commissions, and giving back to our profession. I very much hope to follow in their footsteps, continuing in some way what I love to do.